ARTIST STATEMENT
My series of tufted tapestries intertwines the intricate histories and cultural identities of the American West, exploring themes of land, displacement, and resilience. These works draw compelling parallels between global struggles for homeland and the experiences of Native American communities, shaped by enduring colonization, forced displacement, and the relentless fight for cultural survival and sovereignty. By creating these connections, I aim to generate meaningful dialogue and foster empathetic understanding.
Through symbolic color, contemporary weaving techniques, and cultural studies, I highlight shared narratives of injustice and colonial resistance. The tapestries incorporate archival photographs and images sourced from historical popular culture, such as Western films and iconic figures, to offer a deep critique of media-driven misinformation and historical erasure. By juxtaposing these diverse yet interconnected histories, I invite viewers to reflect on the universal quest for identity and justice, encouraging a collective commitment to preventing future atrocities.
This series tells a story of pain, hope, and enduring spirit. It seeks to foster a dialogue that bridges cultural divides and emphasizes our shared humanity. Through this artistic exploration, I aim to honor the past, acknowledge present struggles, and envision a future rooted in understanding and solidarity.
ABOUT THE ARTIST
With an MFA from Tyler School of Art, Rodenberg’s multidisciplinary practice spans drawing, painting, printmaking, and textiles. She has exhibited her work in international solo and group exhibitions, including notable venues such as Doha’s Qatar Museums, Page Bond Gallery, and UVA’s Ruffin Gallery. Rodenberg’s collaborative project addressing climate change is set to be featured at the 2025 London Design Biennial. She has been recognized with residencies at esteemed institutions such as the Jentel Foundation, Virginia Center for the Creative Arts, and Doha Fire Station. In addition to her studio practice, Rodenberg contributes to the field through lectures, workshops, and panel discussions worldwide, supported by research grants and institutional partnerships. Her research on art activism will be published in the 2025 edition of Al Journal. Rodenberg’s work extends beyond traditional venues, incorporating guerrilla-style activist practices and community engagement to address social injustice, cultural identity, politics, and post-colonial narratives. Her projects “Night Lights: Street Art,” created during Richmond’s 2020 BLM protests, and “Keep Families Together: Coloring Project,” which fostered international solidarity and raised awareness about inhumane immigration policies, exemplify her commitment to impactful art. Rodenberg is an affiliated faculty member at VCUarts Qatar and maintains her studio at LIWAN Design Labs and Studio.
© Charlotte Rodenberg