ARTIST STATEMENT
My artwork delves into the evolution and impact of women throughout history, particularly within the realm of domestic life. I draw inspiration from the overlooked and undervalued everyday objects associated with domestic labor, such as embroidery, recipes, clothing, and various artifacts often found tucked away in trunks or storage spaces. Women have long been held to stringent societal standards, expected to conform, be polite, and uphold traditional norms. These expectations continue to shape the everyday experiences of women. My artistic endeavors aim to amplify the voices of women whose narratives of domestic labor and creativity have been marginalized. I employ materials that carry their own histories, often discarded or repurposed from their original functions. Each material I use holds a specific significance—I consider not only its past utility and practicality but also its spiritual and psychological resonance, providing comfort to women in bygone eras. My work explores spiritual practices intertwined with domesticity, such as the reverence for water, the sanctity of icons, the discovery of ancient texts, and the portrayal of customs in sacred images. Above all, I aim to highlight the transformation of ignorance and naivete into sources of strength and empowerment through the medium of art.
ABOUT THE ARTIST
Greek visual artist Filio Zoi Milioti holds a Bachelor’s degree in Theology and Education from the University of Athens, Greece, and an Associate’s degree in Fine Arts from the College of DuPage, where she graduated with Honors. Currently, she is furthering her artistic journey with a full scholarship for an MFA program at the University of Illinois, Chicago. Milioti’s artistic achievements span a diverse array of solo and group exhibitions, showcasing her work in prominent venues such as the Buffalo Arts Studio in New York, the Art Institute of Chicago Partner Day with COD in Illinois, and the Elmhurst Art Gallery. Her pieces have also been featured in exhibitions at Cleve Carney Museum of Art, Bridgeport Art Center, Buffalo Art Center and the Yes Project Gallery Space. Internationally, Milioti’s art has been recognized and exhibited in esteemed locations including the Panhellenic Robotic Competition in Greece, the University of Athens, Kthrio Mela in North Evia, and various venues throughout Laconia, Greece, such as the Society Building and the Historical and Cultural Center. Her artistic endeavors have garnered attention from publications such as Mandragoras Magazine, Karyes Newsletter, and Palmos Evia in Greece, as well as the Prairie Light Review in Illinois. Milioti’s practice is characterized by a profound exploration of themes ranging from domestic life to spirituality, inviting viewers into a contemplative dialogue with her art.
© Filio Zoi Milioti