ARTIST STATEMENT
Revolutionary Praxis is a visual invocation, a spell composed through ritual performance and self-portraiture that is both document and transmission, an energetic imprint of a sacred act. The text is a map, a set of frequencies vibrating with revolutionary possibility. Each word arrived through meditation, channeled in stillness, carrying the pulse of collective memory and future longing. In the face of political unrest, I turn to energetic work as strategy. Here, ritual is methodology. It is preparation. It is how I enter the work of liberation with clarity and care. Revolutionary Praxis traces the often-unseen labor of resistance, the kind rooted in connection, in alignment, in embodied will. As a queer, technofeminist artist, I create visual spells that do not end with the image. This piece is a charged field, an offering, a convocation. It invites others into resonance, to attune to the ritual it carries, to recognize their own power in the quiet and the unseen. It remembers that resistance is not always spectacle. Revolution is also a frequency we can choose to enter, with breath, with presence, with devotion.
ABOUT THE ARTIST
Lineadeluz is a transmaterial alchemist and interdisciplinary artist whose work explores the intersections of identity, technology, and performance across physical and digital realms. Their practice engages self-representation as protest, using embodied gestures—like selfie-taking—as portals to speculative futures, liminal identities, and algorithmic entanglements. Blending ritual, AI, and visual spellwork, they treat aesthetics as strategy and the body as interface. Their current research centers on Quantum Selfie Mechanics through the Selfie Institute for Selfie Studies, where they explore self-images as psychic collaborators and tools for reimagining the self. They experiment with Spanish-language prompting to confront machine bias and generate alternate digital subjectivities rooted in play, poetics, and resistance. Raised in Compton, CA in a Mexican household and now living between the U.S. and Mexico, Lineadeluz synthesizes their bicultural, bilingual, and binational experience into a practice that traverses borders and binaries. For them, art is not metaphor, it is methodology, a living archive of dissent and a ritual act of worldbuilding. Their work has been exhibited internationally and in the metaverse, including Zona Maco (CDMX), Angels Gate Cultural Center (Los Angeles) and The Wrong Biennale (Worldwide). Lineadeluz holds a double major in Sociology and Arts Practice from the University of California, Berkeley.
© Lineadeluz